Malpaso (2019) directed by Héctor Valdez

"Malpaso," directed by Héctor Valdez, captures the lives of contrasting twin brothers in the Dominican Republic. Showcased in Latin American Cinemateca, this black and white film delves into societal acceptance, merging poetic realism with societal critiques. Although not mainstream, its deep emotional resonance and artistry make it a standout in contemporary cinema.

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LACLA
Drácula

Based on the epistolary 1897 novel by Bram Stoker, but rerouted through its stage play of 1924, revised in 1927, Drácula was produced by Universal Studios, as a Spanish-language version of the English original.This is the second joint program between the Latin American Cinemateca of Los Angeles and the UCLA Film and Television Archive.

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14th Annual LACLA Student Film Festival: January 22, 2022

The Latin American Cinemateca of Los Angeles (LACLA) is happy to announce its call for submissions for the 14th Annual Student Film Festival to be held virtually at www.lacla.org on January 22, 2022

As a means of encouraging and acknowledging young artists, our festival features short films by students from various middle and high schools and media programs of the greater Los Angeles area: from the Valley to South L.A.; and from East L.A. to Venice.


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13th annual LACLA Student Film Festival

Latin American Cinemateca of Los Angeles (LACLA) presents the 13th annual LACLA Student Film Festival on Friday, December 18th. Due to the current COVID-19 health crisis, LACLA has decided to practice safe, social distancing by offering their selective student film festival for the first time free of charge in a virtual format.

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El Rey del Barrio

El rey del barrio (1950), with Germán Valdés – Tin Tan

El rey del barrio, one of the most successful comedies of Mexico’s Golden Age, stars Germán Valdés, or rather “Tin Tan”, the name of his famous and still very modern screen character.

By María Elena de las Carreras, Ph.D.

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LACLA
Dos tipos de cuidado

Dos tipos de cuidado (1953), directed by Ismael Rodríguez, with Pedro Infante and Jorge Negrete

By María Elena de las Carreras, Ph.D.

May 2016

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LACLA